![]() ![]() It’s not the only adverse reaction from viewers “Watchmen” may face.Īs a self-proclaimed “fanboy,” Lindelof is aware that he may alienate some die-hards with his vision. ![]() The series subsequently disappeared from view Vulture reported this summer that Benioff and Weiss’ new development deal at Netflix had effectively killed “Confederate” for good. The announcement sparked controversy from advocates and others who said it was inappropriate and insensitive. Weiss, the creators of the blockbuster “Game of Thrones,” would set their next project, “Confederate,” in an alternate reality in which the South won the Civil War. HBO.Įxecutives at the premium network announced in 2017 that David Benioff and D.B. Still, mishandling the subject of race in America, even if the setting is an alternate timeline, can provoke a serious backlash. It’s OK if you’re feeling uncomfortable.’ ” I feel like I might mess it up.’ And Harold would say, ‘Mess it up. You can do this.’ And I would say, ‘I don’t feel comfortable doing that. We’re not doing that.’ And he said, ‘You’ve got polar bears running out of the jungle. “Harold would say, ‘If I were the only black man on this island, I would be subject to a lot more racism.’ I told him, ‘That’s not what “Lost” is about. He recalled an exchange with Harold Perrineau, who played one of the few black characters on “Lost,” Lindelof’s series about the survivors of a plane crash stranded on a mysterious island. You can finish it because it’s a gumbo of genres. This setting will evoke a different feeling that won’t be about feeling guilty. “With ‘American Crime,’ some people couldn’t finish it. “There are shows I’ve done in the past where I feel like a lot of people that watched who aren’t black had a hard time dealing with their guilt,” said King. ![]() While those series were critically acclaimed, they did not attract large audiences. ![]() She referenced her work on shows such as “ Southland” and “ American Crime,” which dealt bluntly with race and class. Though King said she understood Lindelof’s concern, she feels that viewers will ultimately be receptive to his approach of mashing the imaginary universe of “Watchmen” with thorny race-related observations. Sitting with him were Emmy- and Oscar-winning actress Regina King - who plays Sister Night and her alter-ego, Angela Abar, a Tulsa Police detective who protects her identity by posing as a baker - and fellow executive producer Nicole Kassell, who directed the first two episodes. He was moved by the reception, not least because, he said, reading “Watchmen” when he was a 12-year-old in the 1980s had an “immense impact” on him. SPOILER ALERT! Spoilers ahead for numerous stories published by DC Comics.Lindelof, who co-created the series “Lost” and HBO’s “The Leftovers,” was sitting on a restaurant patio at a West Los Angeles hotel the morning after “Watchmen” received a rapturous response at its premiere in the Cinerama Dome. There are ample reasons for and against bringing Watchmen to the small screen, so we thought we’d list them for you and let you be the judge. With talk of a new R-rated TV series in development at HBO under the guidance of Damon Lindelof recently lighting up the online community, we had to wonder if such a project is even viable. RELATED: 7 Reasons Watchmen Will Come To The DCEU (And 8 They Won’t)Īlong with Frank Miller’s The Dark Knight Returns, Watchmen has been deemed responsible for an undeniable trend of dark, gritty imitators that neglected to delve beneath the murky surface of either series. And yet, over three decades later, the series’ stock has fallen noticeably in the esteem of even its most rabid boosters. Universally praised for infusing the genre of superhero comics with a level of storytelling sophistication and complexity never before seen in the form, Watchmen creators Alan Moore and Dave Gibbons attained near-godhood in the eyes of a jaded fandom desperate for something more layered and mature. When it first dropped on the comics world like a nuclear bomb in 1986, it was deemed an instant classic by fans and critics alike. It’s something of a testament to Watchmen’s resiliency and resonance that it continues to polarize the comics community over 30 years after its original publication. ![]()
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